Skip to main content

Perspective Framing

Beloved does some interesting things with the perspective and framing of events depending on which character is experiencing/experienced them. Sethe's rememory is probably one of the most interesting narrative choices in this novel, very reminiscent of Kurt Vonnegut's Slaughterhouse Five's Tralfamadorian time travel. This kind of framing for narratives can make some stories very confusing, but in Beloved it helps to feed us information.

The constant jumping around focuses the story not on advancing a plot, but building the characters and the setting they inhabit. This is a good tactic for building characters, as the narrative jumps around to each person's perspective in turn. Certain events are played on repeat but from different angles. I would be interested to see how this would work in a film adaptation. Would the directors use camera angles? Would there have to be separate arcs for each character? I've seen this done in a few other works where the narrative focuses on building the world from multiple different views, but Beloved is nice and concise as a single story. Does anyone know of more works that also follow this whole world building format (Asking for a friend), and how do you feel about the constant perspective shifts and how this helps establish the world. Also, do you feel the need for Beloved to have a more forward plot, or do you think the constant rememory is better?

Comments

  1. I remember Mr. Mitchell asking us in class who we believed to be the main character, and several people said Sethe. However, we never reached a true agreement, and personally I don't believe there is one "absolute" main character. Morrison uses an amazing technique of slowly circling around the main plot line and pivotal moment in the novel. Although this method is a bit disorientating, it is extremely effective and also allows the reader to see Sethe in a different light then they might have originally.

    ReplyDelete
  2. I agree that the rememory is a great way to develop the characters in the novel. In fact, I feel like Morrison is effective in doing so. I don't think that the novel should have a more forward plot because the plot is there, but it is based more off the past. Using rememory to gather information is a great way lengthen what would probably be a short plot and to fully develop the characters, which is something that I appreciate most.

    ReplyDelete

Post a Comment

Popular posts from this blog

Educational Naturalism

Throughout Native Son, Bigger makes choices. Many of these choices cause him to tumble down a continuous spiral to his eventual trial and execution for the murder and supposed rape of Mary Dalton. While reading this book, I thought at many times to try to call out to Bigger, and give him a bit of guidance because I could see where some of his actions were leading. I realized that I was using education that I had received in my schooling years that Bigger was not fortunate enough to have, and that Bigger's environment hadn't prepared his foresight enough to prevent him from making several fatal mistakes in a row. So is the true culprit Naturalism? I believe that Wright was trying to achieve the same response I gave to seeing Bigger make those mistakes. I believe that his Naturalist "lab" (for lack of a better term) was designed to show how much education can play into the choices we make. And I do not mean only the education you receive in schools. If Bigger had seen

Speeches

In Invisible Man , the narrator seems to have a natural talent for public speaking. He begins speaking during his school years before the Battle Royale and has had a speech during the home eviction. He has also been drafted into the "Brotherhood" to do more public speaking. He seems to have a talent for rousing crowds, even if that was not shown in his Battle Royale speech. After the home eviction speech, he thinks of himself as a famous speaker akin to Booker T. Washington and takes pride in that. Now to the main point. Is the author fond of speeches because it makes him more individual? During his speeches he is separate from the crowd, able to show his views on matters and not be just a cog in a machine (as Norton calls it). Even if he may not be truly visible, his unique existence cannot be fully denied. Is not being able to make speeches why he has retreated within his "hole" during the prologue? Is writing this book and sharing his views and experiences how

Dialects in Literature

In the most recent novel we are reading in class, Their Eyes Were Watching God , the characters all speak in a distinct dialect of English that is non-standard. "I" is changed to "Ah", verbs are shortened, there are double negatives, and so on. Though for some this may be hard to read and understand, especially in a book where most of the story is delivered through dialogue, but I feel that these kinds of literary quirks can really differentiate a story. Not just in a narrative about African Americans, but in other literature with other English dialects. People can usually tell the difference between British English and American Standard English when spoken, but when written as dialogue they very rarely show any of the differences in the dialects. Given, those two are very similar but the same kind of logic can be applied to other dialects of English. Authors usually wrote their dialogue in standard, and they would use a different dialect if the character was "